等待方舟是一部评分5.0的剧情科幻悬疑 影视作品,影片的导演是皮奥特尔·舒尔金 ,是由耶日·斯图尔克里斯提娜·杨达卡里娜·谢鲁斯克马里乌什· 主演,Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust等待方舟是一部评分5.0的剧情科幻悬疑 影视作品,影片的导演是皮奥特尔·舒尔金 ,是由耶日·斯图尔克里斯提娜·杨达卡里娜·谢鲁斯克马里乌什· 主演,Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.那小子混蛋是混蛋,但说的未必没道理,那位小姐柔柔弱弱,看起来乖乖巧巧,眉毛弯弯,应该是温婉可人,浑身中透露着幼稚与清纯,不要说是那个混账家伙,就算是自己……这么乍一遇到了也绝对想不到这就是天毒大小姐啊!详情
85/100 Frodo是个被精英指派的、特殊的名字,而Sam的名字则再大众不过了,Sam几乎是在英国看重贵族精英的社会体系下执拗地书写历史上自己作用的人,信守承诺、忠诚相守,与护戒以背负人性之重,两件事同等“简单”和重要。在人性面前魔戒其实从来都是赢家,无论是谁在接受护戒任务之初就已在开始承受ptsd了,这里其实除了赌一个将魔戒带到岩浆前的偶然性试炼之外没有任何有些把握之事。前半段几乎在讲,在历史已然失败的前提下,将历史重置到相似的关键节点,光是这一点就已经很难达成了。英国人也总是执着于描绘“疯王”、循环的加冕、与莎翁式的王室父子兄弟设定,old human kings are always mad. 重看会觉得在PG-13的商业制作中混入并不少B级片的老本领也算是彼得·杰克逊的本事。那几场平行剪辑还算较有张力,而全靠“乱晃”的战场调度还是不够出彩